The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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Georgia has been making some great music over the past couple of years with loads of promise. It’s been R&Bish pop, but now, jjst before hitting the road with Kim Petras, there’s clearly one eye on the dancefloor. The track starts moodily before making way for some glorious doof doof action, and it’s very fun.
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Look, it’s fine that Beyonce is going country and anyone can do whatever they want. We don’t have to write about it though, because we’re just not that bothered. It might be great, it might be average – it’s just not that interesting, regardless of the endless ‘MOTHER!’ comments and people insisting on the re-use
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Hey! We have a new radio show out! It features music from all corners of the world, including something from the Fonteyn and Pat’s Soundhouse we’ve raved about recently, as well as the peerless Dina Ögon, and the new one from The Lemon Twigs. And there’s stuff from Lebanon, Turkey and more! Get stuck in!
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There’s a lot of videos online geeking out about obscure synths, but few are as fun as this one about the cutest thing you ever did see – the Casio ‘Rapman’. A video made with a lot of love, filled with clips and the aforementioned keyboard which had a scratch wheel, hip hop beats and
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Hey! Are you a fan of Caroline Polachek? Are you a fan of Weyes Blood? We’ve got some good news for you in that case, because the two have teamed up for a new version of the song ‘Butterfly Net’ and it’s really very nice. This redo will appear on a deluxe version of Polachek’s
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Many bands aim for Pet Sounds when they’re trying to make ambitious pop, but a lot of groups miss out on the pure, inventive, playful joy when they’re channelling Brian Wilson, Curt Boettcher & Co. There’s a shed pop, ramshackle feeling to when these things work best, like someone’s tripped over a box of classroom
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If you’re a fan of Portishead and Beth Gibbons, you won’t need much in the way of convincing to listen to her new single. If you do, you’ll be thrilled to know it’s great! There’s no point us reviewing it to tease you. Just press play already.
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A Tory MP has attacked the whole of Drill music, because she thinks it is the reason that young people carry knives. Nickie Aiken says there’s a “direct link” and wants the government to look at record labels that release music that is found “celebrating gang culture.” At the House of Commons, the Cities of
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Never mind Tay Tay announcing a new LP – we can ignored that as everyone has already talked it to death already. We’re more interested in the imminent music from the mighty Kacey Musgraves. She’s been making a slow-melting psychedelic country music since her utterly fabulous ‘Golden Hour’ album (yes, that wasn’t her debut, but
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Look, we were all set to write and long love letter to Fonteyn’s utterly perfect LP ‘Trip The Light Fantastic’, even though it’s not a new release, because it really is one of the most wonderful records you’re likely to hear. The reason we were hesitating is purely selfish, and that was because we didn’t
STOP HOARDING TUNES
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LAETITIA SADIER SOLO
Hey Stereolab fans! Good news for you. Laetitia Sadier has announced a solo album called ‘Rooting For Love’. That’ll be out in February 2024 via Drag City (they’re a cool label aren’t they? Yep. They are) and it’ll be her first since her 2017 outing, which has a long name that we can’t be bothered…
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KUNT UP RADIO COMING SOON
As much as we love glittery pop and divas, it’s fair to say that the media landscape’s representation of gay people can be rather one-dimensional. So with that, we’ve just caught wind of something that looks to shake things up in a fun way, and it’s got a real zinger of a name whichever way…
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KEEPING SECRETS WITH BONNIE PRINCE BILLY
Bonnie ‘Prince’ Billy released some new stuff recently and notably, there was an LP called ‘Keeping Secrets Will Destroy You’. In true Prince Bill form, the song of the same name didn’t feature and he’s released it afterwards. It’s not that confusing or that deep. What it is, is a really good Bonny ‘Prince’ Billy…
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ANTHONY BURGESS QUARTET TO GET FIRST AIRING
Of course, most people know Anthony Burgess as the titan behind the frantic and somewhat savage ‘A Clockwork Orange’, but maybe less well known is that the writer was a frustrated musician. Initially an indifferent music listener, it wasn’t until he heard ‘Prélude à l’après-midi d’un faune’ by Debussy that his world turned upside down, and…
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