The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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Hatebeak are a thrash metal band that have a parrot for their lead singer. Of course it randomly entered the ol’ brain putty.
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The High Llamas are ace and it’s lovely to have them back. They’ve got a new song called ‘Toriafan’, which is different enough from the old stuff to make it worth your while, but also containing that High Llamas magic of years past. Sean O’Hagan, who basically is the band, sez: “The song is about
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Brazil has a rich heritage of musical inventiveness, giving the world the languid sophistication of Bossa Nova and the erupting joy of Samba. Of course, through the ‘60s and ‘70s, in the face of a brutal, military dictatorship, Brazilian intellectuals and the youth forged an artistic path through Cinema Novo and now famous Tropicalia music
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Country music has always got a raw deal for being racist hick music, but that’s usually from the worst kind of person who hasn’t listened to a lick of country music in their life. Fact is, it’s a genre as enduring as any other, and as broad a church as you’ll find anywhere. That said,
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Good news power pop fans! We have news that Dent May is releasing a new album called ‘What’s For Breakfast?’. That’s out in March and it should be a total winner based on his previous outings! Sugary sweet melodies, big pianos and choruses – we’ve loved his stuff and ‘Late Checkout’ is a massive favourite!
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Most musicians fall off eventually, don’t they? And so, to Pharrell Williams who was once a prince amongst men, and then starred in a super dodgy Robin Thicke video, did some gigs that were literal fundraisers for the IDF, and now perhaps worst of all, collaborating with Mumford & Sons on a new song called
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There’s no money in writing about music, and that seems to be a sad fact of the present day. In fact, there’s been no money in it for years, which is a shame as music criticism and opinion struggles to gain a foothold in a period where, honestly, most fans are waiting for marquee releases
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Playboi Carti has a new song out called ‘EvilJ0rdan’, on the back of some pretty unsavoury stuff. He appeared with Kanye while he was wearing his Klan hood, on the back of an allegation that he’d choked and assaulted his pregnant girlfriend. The track is below and contains lyrics like “monkey nuts, hold me, baby”
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A website asked, because of her all conquering popularity, if Taylor Swift is a genre all to herself now. No, of course she isn’t. Don’t be ridiculous.
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Akini Jing is making some seriously good future pop and you need to get on it right now. New LP is out called ‘VILLAIN’ and after writing for other acts, they’re now keeping the good stuff for themselves. Cyborg-ish, forward thinking music that’s crucially fun and catchy too. New track, ‘Call Me Shadow’, is flawless stuff,
STOP HOARDING TUNES
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SHANIA TWAIN CONTINUES TO BE INCREDIBLY LIKEABLE
You may not know this – you might – but recently, the mighty Shania Twain took her clothes off for a song. It was called ‘Waking Up Dreaming’ and it’s the lead single from her upcoming LP, ‘Queen Of Me’. About all that, she said a bunch of incredibly likeable stuff, because that’s what Shania…
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IGGY POP FOR EVERY LOSER
A new LP from Iggy Pop is always a roll of the dice, not that anyone is holding that against one of the greatest to ever do it. When he’s great, he’s untouchable – and then there’s the other Iggy who we’re rooting for and thinking about ‘No Fun’. So, a new album called ‘Every…
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DE LA SOUL BACK ON STREAMING AGAIN EH?
De La Soul – bright clothes, witty, funny hip hop. They ushered in the Daisy Age and… well… they’ve always seemed pretty miserable since then haven’t they? One of the reasons they’ve been so moody is streaming. They just want to get paid and be treated fairly don’t they? That’s fair. They’ve also taken to…
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YOU CAN’T SIT WITH COCO & CLAIR CLAIR
They’re mean. Every track is a diss track. Against who? Someone with receding hair. Someone boring. Copycats. Cluck clucking bitches. Waking up at 8am. You name it, they’re over it already. Like over exposed Instax shots at some NY loft party circa 2005, like early mixtape culture mixed with Kreayshawn’s Internet savvy, obscure electronica 45s,…
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