The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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Courtney Barnett is great and, more importantly, she’s back with her first new single in a couple of years, with a song called ‘Stay In Your Lane’. As ever, there’s tension and discordant stuff to couple with the strong melodies, and apparently, Barnett recorded the track in a bid to work through the trials of bottling
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Rosalia’s last couple of albums have been excellent, and ‘MOTOMAMI’ just about propelled her into superstardom, so all eyes are on the next release, right? It’s either no pressure or loads of pressure! Well, the news is that there’s going to be a new record called ‘LUX’, and no-one has to wait too long, as
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Sometimes the algorithm drops a video in your lap out of absolutely nowhere and blows your brains out, so the only thing to do is share it wider. We don’t speak the language, but we think this might be of Egyptian origin (let us know if you know), and it’s a bunch of cool older
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It’s so nice that Nick Heyward is back with Haircut 100. They were a wonderful band and, better yet, the new stuff is equally fantastic, with their super smart sophisticated jangly pop. Sophistipop, you might say. Well, we covered a song by the reformed gang a while ago, and honestly, we can’t remember what we
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There’s a new EP coming from Helado Negro called ‘The Last Sound On Earth’, which sounds like it’s going to be one worth checking in on. He says that the whole thing has been inspired by “Miami bass, freestyle, jungle, and electronic dance music I grew up dancing to” and first track ‘Protector’ shows a
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It is time once again, where we’ve remembered to upload the tracklisting for the newest FREE RANGE radio show, because we so frequently forget and we genuinely get people asking what songs we’ve played after butchering various pronunciations. We missed September for no good reason other than idleness brought on by going for a weekend
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It’s been shared around before, but that doesn’t mean it isn’t worth seeing again. Things like this are made of pure magic. Get a harmonium, a jazz legend and an abandoned tunnel, and what you end up with is someone of the most transformative music you’ll ever hear in your life. Press play on this
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When people outside of Manchester think about the city, they think of dour faces emerging from long coats with a Joy Division problem, or cheeky scallies wobbling around like Ian Brown or Liam Gallagher. Ask around the venues though, and the picture is pretty different. See, Manchester is a hotbed of DIY punks, veering from
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Lillie West goes by the name of Lala Lala, and has just signed to legendary label, Sub Pop, which they must be thrilled about! The first Lala Lala song for the label goes by the name of ‘Does This Go Faster?’ and was co-produced by the wonderful Jay Som (who also has some new music
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Too frequently, the title of legend is bestowed on a person when they shrug off their mortal coil, but with D’Angelo, ‘legend’ doesn’t quite cut it alone. Through his music, music fans were witness to one of the most gifted songwriters and performers of a generation, who also influenced so many and altered the axis
STOP HOARDING TUNES
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REVIEW / DARREN RILEY / LIBRARY MUSIC
The renaissance of Library music has been one of the more wholesome things in pop culture – a true celebration of the fine, underdog musicians who often soundtracked our lives to little personal fanfare. With this reappraisal has seen the likes of Alan Hawkshaw, Keith Mansfield, and even Delia Derbyshire getting a light shone on…
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SEE GEORGE PLAY TAXMAN LIVE
‘Taxman’ is one of George Harrison’s most identifiable songs, lambasting those pesky politicians for taxing him too hard. As we know, The Beatles stopped touring in the middle of their career, so there’s a wealth of music the boys never played live – so it’s always a thrill to see anything from the late period…
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IN DEFENCE OF THE NEW RADICALS
One hit wonders get a lot of hate, thanks in part to being overplayed, and usually, because they’re catchy bubblegum tracks that land in the middle of supposed credible music, for which they’re unfavourably compared. And so, to 1998 and Britpop has moved to one side in favour of Landfill Indie, and Massive Attack emerge…
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ETHEL CAIN DEMOS
If you enjoyed the last Ethel Cain record – and you should’ve because it’s great – then you can have a peer behind the curtain of it, with the release of some demos. It’s the demos from ‘Willoughby Tucker, I’ll Always Love You’ and they were released on NYE, but we’ve only just seen them…
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