The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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Did you see Aldous Harding post something on Instagram recently, about some tour dates, but couldn’t really read it because the colours were making your eyes go fizzy and the quality of the image was pretty bad? Well, don’t worry – we’ve written them all down so you don’t have to squint. She’s going on
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We had to go with the ClickHole headline “Heartbreaking: The Worst Person You Know Just Made a Great Point” headline, as Kid Rock sat before Congress and created a situation where a horrible idiot made a sound point. See, Kid Rock – Robert Ritchie to his doctor – has testified about the costs of gig
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Shintaro Sakamoto has been quietly blowing minds for musical magpies for a while though, but for those not with their ear tuned to Japanese rock, the name might not be familiar. More’s the pity, because Sakamoto is one of the most prolific artists on the planet right now, channelling psych, AOR, funk, slo-mo ’80s soul,
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Thundercat is back with some more deliciously smooth shit, as he announces a brand new album in the process. It only seems like yesterday that he released a record, but it’s actually six whole years since we had a long player of his to listen to. The new album is out April 3rd and from
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We’ve written about Green-House and featured them on our radio show – fact is, in ambient circles, you won’t find many records better. With that, it’s wonderful to learn that there’s a new album due called ‘Hinterlands’. If you’re sold enough and just want the facts, it’ll be released on 20th March on Ghostly International,
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Kneecap aren’t mucking around and are back with a new single called ‘Liars Tale’, taking potshots at Kier Starmer in the process. The track is from forthcoming LP ‘FENIAN’, which will land on April 24th. In the track, you’ll hear: “Fuck Keir Starmer, Netanyahu’s bitch and genocide harmer” adding they’ve “never seen a cunt so boring.”
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Post Punk always had a dog in the fight. That was always kinda the point, right? From Gang Of Four’s leftie funk, to The Fall’s derelict shopping precincts and alcoholic bookwormery, to Siouxsie’s genuinely otherness, you always felt it was bands with some skin in the game. While punk could often feel like middle class tourists
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Record collectors and music nerds have been excitedly sharing Robert Lester Folsom’s ‘April Suzanne’ with each other thanks to a reappraisal of a song that defines Loner Folk as a genre. He recorded his album ‘Music and Dreams’ in 1976, and in 2010, Mexican Summer reissued it and his stature grew further. Since then, there’s
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The precarious nature of live music venues at the moment, is not to be underestimated. Of course, live music will always exist by hook or by crook, but why does it have to be so difficult for venues? With that, the Music Venue Trust have shared their annual report, which shows how hard 2025 was.
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Kanye West has been going through it. He’s been a piece of shit, and leaned into it. People said it was because he was off his meds. People wondered if he was being an edgelord. They missed the old Kanye, and Ye even joked about that too. For fans, it’s been a rough ride, recognising
STOP HOARDING TUNES
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REVIEW / DARREN RILEY / LIBRARY MUSIC
The renaissance of Library music has been one of the more wholesome things in pop culture – a true celebration of the fine, underdog musicians who often soundtracked our lives to little personal fanfare. With this reappraisal has seen the likes of Alan Hawkshaw, Keith Mansfield, and even Delia Derbyshire getting a light shone on…
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SEE GEORGE PLAY TAXMAN LIVE
‘Taxman’ is one of George Harrison’s most identifiable songs, lambasting those pesky politicians for taxing him too hard. As we know, The Beatles stopped touring in the middle of their career, so there’s a wealth of music the boys never played live – so it’s always a thrill to see anything from the late period…
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IN DEFENCE OF THE NEW RADICALS
One hit wonders get a lot of hate, thanks in part to being overplayed, and usually, because they’re catchy bubblegum tracks that land in the middle of supposed credible music, for which they’re unfavourably compared. And so, to 1998 and Britpop has moved to one side in favour of Landfill Indie, and Massive Attack emerge…
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ETHEL CAIN DEMOS
If you enjoyed the last Ethel Cain record – and you should’ve because it’s great – then you can have a peer behind the curtain of it, with the release of some demos. It’s the demos from ‘Willoughby Tucker, I’ll Always Love You’ and they were released on NYE, but we’ve only just seen them…
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