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BBE Music put out good shit, and if you’ve heard their J-Jazz compilations, you’ll know that they’re some of the finest, most adventurous comps around. In addition to that, they’ve put out a brilliant book chronicling Japanese jazz called J Jazz: Free and Modern Jazz From Japan 1954-1988, which is a look at some super
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Khruangbin are back everyone, and yes, they’re wigs! The new song is called ‘May Ninth’ and, for fans of the trio’s sound, it sounds like Khruangbin, so no worries – they’ve not pivoted to sounding like dubstep or anything. It’s taken from the imminent ‘A La Sala’ and it’s gently psychedelic, woozy stuff. The album
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It’s 2001 and the USA, UK and pals are carpet bombing the Middle East. January, George Dubya Bush is sworn in thanks to some hanging chads, Apple launches iTunes and, later that year, 9/11 would change everything forever. While US democracy looked shaky, while war saw people taking to the streets in protest, people set
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When Mr Bongo say they’ve got a record in and describe it as “a heavy Boogie-Funk gem from 1984”, your ears should really prick up. That track is ‘Take A Chance’ by Marshall Titus (re-issued by Peoples Potential Unlimited), and it slaps. If you’re into super hot, sleazy ’80s disco that’s got a whiff of the
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It’s tough out here in these music criticism streets. If you have staff that need paying, you need to get the clicks in so the ad revenue, revenues. Is writing reviews about up-and-coming artists who might be future superstars going to cut it? Well, you have to wait ’til they become famous, and then link
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Lil John is a genius. Let’s first get that on record. His Miami Bass and Crunk work, huge club bangers and scene-stealing guest spots make him one of the most loved MCs. He’s also a super good sport, which only makes us love him more. When Chappelle sent him up with ‘AHWHUT?‘ and ‘OKAAAY‘, John
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Tierra Whack is great, and she’s shared another new track – this one is called ’27 Club’, which is a bit grim, but you’re officially allowed to start getting excited about her imminent LP. All the tunes we’ve heard from ‘WORLD WIDE WHACK’ have been forward thinking, a load of fun and a high bar
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With the internet, rolling news and 360 deals demanding so much of our attention currently, it seems there’s been a reevaluation of ambient music, new age, and pastoral jazz. Keeping that in mind, the lovely people over at Light In The Attic have reissued an absolute gem in Pete Jolly’s legendary ‘Seasons’ LP. This falls
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Kim Gordon is cool and she’s making an unholy racket with her new single ‘I’m A Man’. If you’re looking for classic Sonic Youth, we don’t think you’re going to find it here – it reminds us a little of Atari Teenage Riot, in slo-mo. Lovely stuff. There’s going to be a new LP out
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Lambrini Girls are one of the most popular grot punk bands around right now, and they have a new single out called ‘God’s Country’ which goes after the state of the place we call home, and while it’s about as subtle as a brick in the teeth, you have to admire them for not hiding
STOP HOARDING TUNES
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NRBQ REISSUE GROOVES IN ORBIT
NRBQ might just be your favourite band’s favourite band, and so, any news from the group is worth mentioning. They’ve announced the release and remaster of ‘Grooves In Orbit’, which was originally on record shelves back in 1983, and released on the legendary Bearsville Records. This new version includes new liner notes and seven bonus tracks, which…
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REVIEW / DARREN RILEY / LIBRARY MUSIC
The renaissance of Library music has been one of the more wholesome things in pop culture – a true celebration of the fine, underdog musicians who often soundtracked our lives to little personal fanfare. With this reappraisal has seen the likes of Alan Hawkshaw, Keith Mansfield, and even Delia Derbyshire getting a light shone on…
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SEE GEORGE PLAY TAXMAN LIVE
‘Taxman’ is one of George Harrison’s most identifiable songs, lambasting those pesky politicians for taxing him too hard. As we know, The Beatles stopped touring in the middle of their career, so there’s a wealth of music the boys never played live – so it’s always a thrill to see anything from the late period…
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IN DEFENCE OF THE NEW RADICALS
One hit wonders get a lot of hate, thanks in part to being overplayed, and usually, because they’re catchy bubblegum tracks that land in the middle of supposed credible music, for which they’re unfavourably compared. And so, to 1998 and Britpop has moved to one side in favour of Landfill Indie, and Massive Attack emerge…
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