The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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TikTok are new media, and by and large, record companies are resolutely middle aged. With that, social media and physical media are going to be at loggerheads, and this time, it’s Universal Music who are at it, and they’re going to pull all their music from TikTok in the coming days, after failing to reach
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We’ve all felt that unswerving love for an artist that makes us want to leap to their defence at the mere mention of their name, because you’re bored of everyone slagging them off. Hashing it out down the pub is one of music’s great theatrical events, but thanks to terminally online culture, lines can be
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Caoilfhionn Rose is one of the most original and brilliant voices in modern acid folk, and her newest track ‘Rainfall’ feels like just the tonic for a cure to the wintertime blues. It’s a shimmering, hazy, psychedelic slice of loveliness and, for anyone who has heard her music before, that will come as no surprise
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Not every day is a new day. Sometimes, you just have to accept that, but then remember that there’s things we forgot to mention. Like our latest radio show, which came out recently. It’s not time sensitive, so you can listen to it whenever you like. Great music from all over the world, with an
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Grazia are an indie garage glam punk pop band from London, and they’ve got a stomper out called ‘Cheap’, which tells you everything you need to know about what’s coming when you press play. And it’s great fun! Their debut EP is out in Feb, and that’s called ‘In Poor Taste’ – catching the vibe
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The amount of non-English performers making waves worldwide is incredibly satisfying to see, because frankly, it’s weird to only listen to music you understand the words of. You telling us that everyone could understand the opening verse of ‘Geno’ when it first came out? Behave yourselves. Anyway, let’s have a listen to the new one
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We don’t know what’s in the water down Tampa Bay, but They Hate Change have a new one out that falls squarely in the experimental rap hole, and that’s no bad thing. Don’t worry – it’s listenable and fun – it’s not circuit board screaming gloom. They have a new EP out called ‘Wish You
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What happens when you mix German cosmic prog and Chicago post-rock? Well, you get Dog Unit’s new track called ‘When Do We Start Fighting?’ and it’s sounding really good on first listen! The group hail from London and there’s going to be a new LP in April called ‘At Home’. You can buy music from
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The Gossip are coming back, the Strokes and Yeah Yeah Yeahs rubbed shoulders with LCD Soundsystem on the ‘Meet Me In The Bathroom’ documentary, and it’s all well and good and it’s encouraging to see a load of loud, fun music making a comeback. However, we’re much more interested in a revival of skuzzy, super
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Frank Farian’s impact on pop music is so enormous, it’s hard to fully comprehend it’s scope. And yet, Farian is not a household name despite being responsible for over 850 million record sales. Born in post-war Germany, Farian had a go at his own pop career, covering ‘Mr Pitiful’ and landing a hit with a
STOP HOARDING TUNES
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DAS KOOLIES, MAGNIFICO!
Das Koolies – the band that are Super Furry Animals without Gruff – have more acid fried music out! It’s a mixture of Furry psych and acid house (so both kinds of acid then!) and is called ‘Som Bom Magnifico’ and will feature on the new LP, ‘Pando’, which is out in May. Go. Press…
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JAMIE XX + ERYKAH BADU
Jamie XX has teamed up with Erykah Badu for a day-glo chugger that sounds like it’ll be a staple in the festival sets this summer. Jamie says: “A few years ago, I was playing at a Primavera afterparty in Barcelona with Erykah Badu. The decks stopped working and she just freestyled this incredible acapella performance,…
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SO LONG, MARIANNE
She seemed to live a hundred lives at the same time, and honestly, it seems bizarre that us mere mortals were looking at the same sky she was. Marianne Faithfull – a complete one-off – has left us and we’re all the poorer for it. And where to start? For over six decades, she’s been…
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GIVING TATYANA WHAT SHE’S OWED / IT’S SO OVER
When dance music works best, it’s straddles the line between sleazy, wrecking your shoes, drunk cigs and gritty, and impossibly glamorous and shimmering with fantasy. It worked for disco, it worked for the pop-house boom in the early ’90s, and it’s worked for just about anything to shake your backside with on the weekend. Dance…
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