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We already told you about the new stuff from The Orielles, and now there’s even more music from the group, shared from their forthcoming LP called ‘Only You Left’. They say: “You are Eating a Part of Yourself’ began when a durational guitar loop was released from the archive of improv’s recorded in Henry’s bedroom.
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NRBQ might just be your favourite band’s favourite band, and so, any news from the group is worth mentioning. They’ve announced the release and remaster of ‘Grooves In Orbit’, which was originally on record shelves back in 1983, and released on the legendary Bearsville Records. This new version includes new liner notes and seven bonus tracks, which
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The renaissance of Library music has been one of the more wholesome things in pop culture – a true celebration of the fine, underdog musicians who often soundtracked our lives to little personal fanfare. With this reappraisal has seen the likes of Alan Hawkshaw, Keith Mansfield, and even Delia Derbyshire getting a light shone on
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‘Taxman’ is one of George Harrison’s most identifiable songs, lambasting those pesky politicians for taxing him too hard. As we know, The Beatles stopped touring in the middle of their career, so there’s a wealth of music the boys never played live – so it’s always a thrill to see anything from the late period
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One hit wonders get a lot of hate, thanks in part to being overplayed, and usually, because they’re catchy bubblegum tracks that land in the middle of supposed credible music, for which they’re unfavourably compared. And so, to 1998 and Britpop has moved to one side in favour of Landfill Indie, and Massive Attack emerge
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If you enjoyed the last Ethel Cain record – and you should’ve because it’s great – then you can have a peer behind the curtain of it, with the release of some demos. It’s the demos from ‘Willoughby Tucker, I’ll Always Love You’ and they were released on NYE, but we’ve only just seen them
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To say we’re not fans of The Smiths would be something of an understatement. Seeing as fans of the group fail to take the hint and keep proselytising about them, it might be time to see what the actual deal is. Of course, these records have been listened to in the past, but in the
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Welcome to 2026, and let us start the year with some new music, as tempted as we were to start the new year off with some snark. Let’s be nice before we get to saying anything salty about anyone, right? We kick off with a TDE love-in, as Doechii and SZA team up on an
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Chris Rea has sadly left us, and this being the Christmas period, it’s sad that he left as people settled down to his classic yuletide groover, ‘Driving Home For Christmas’. There’ll be a lot of fond words written about the great man, but we’d like to pay tribute by highlighting some of his finest songs,
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You’re buying presents, going on work parties, getting the bags in, doing shopping, worrying about the turkey and wondering when you’ll have five minutes to sit down with a glass of something nice to yourself, with some records on. Christmas and New Year. The silliest time of the year but, ultimately, one of the most
STOP HOARDING TUNES
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GAIKA SLAPS THE PIÑATA
GAIKA – UK electronic music’s hybrid of Basquiat and Prince (no pressure, Gaika) – has a new track out called ‘PIÑATA’ on Big Dada. Always super interesting and often defying categorisation (hence the Basquiat/Prince thing just now) there’s a new LP due in September called ‘Drift’. The new track was made alongside Kidä and is…
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FALL OUT BOY TAKE ON BILLY JOEL // COME BACK, THERE’S A ZINGER!
Fall Out Boy have covered Billy Joel and they’ve updated the lyrics. WAIT WHAT! HOW DARE THEY etc etc. Listen, we geddit. And we’re no fans of Fall Out Boy per se, but wait a minute, wait a minute, wait a minute. This is kinda daft fun, and you need to hear Pete Wentz out…
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TEENAGE FANCLUB ARE BACK AND SOUND JUST LIKE TEENAGE FANCLUB
You may have read that headline and thought we were poking fun at the Teenage Fanclub, but rest assured, if everything makes all feel well in the world, it’s the Teenage Fanclub making Teenage Fanclubby music. They have a new song out called ‘Tired Of Being Alone’ and it’s got Teenage Fanclub guitars, Teenage Fanclub…
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THE STORY OF KING CURTIS
To many, King Curtis is the emotional saxophone at the start of Withnail & I, as his take on ‘A Whiter Shade Of Pale’ drifts over the two unfortunate souls in ’60s London. To others, he’s the blistering sound that made Aretha’s ‘Respect’ pop so hard, as well as ‘Yakety Yak’ by The Coasters and…
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