The Pop Corporation

WORDS ABOUT MUSIC + POP CULTURE

  • BOB WEIR, DON’T LET ME FALL

    Bob Weir, one of the lynch pins of the Grateful Dead, has aged 78. A statement on Weir’s official channels said that he’d “succumbed to underlying lung issues” after a battle with cancer. “He transitioned peacefully, surrounded by loved ones, after courageously beating cancer as only Bobby could,” it read. The importance of the Grateful

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  • EVEN MORE ORIELLES

    We already told you about the new stuff from The Orielles, and now there’s even more music from the group, shared from their forthcoming LP called ‘Only You Left’. They say: “You are Eating a Part of Yourself’ began when a durational guitar loop was released from the archive of improv’s recorded in Henry’s bedroom.

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  • NRBQ REISSUE GROOVES IN ORBIT

    NRBQ might just be your favourite band’s favourite band, and so, any news from the group is worth mentioning. They’ve announced the release and remaster of ‘Grooves In Orbit’, which was originally on record shelves back in 1983, and released on the legendary Bearsville Records. This new version includes new liner notes and seven bonus tracks, which

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  • REVIEW / DARREN RILEY / LIBRARY MUSIC

    The renaissance of Library music has been one of the more wholesome things in pop culture – a true celebration of the fine, underdog musicians who often soundtracked our lives to little personal fanfare. With this reappraisal has seen the likes of Alan Hawkshaw, Keith Mansfield, and even Delia Derbyshire getting a light shone on

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  • SEE GEORGE PLAY TAXMAN LIVE

    ‘Taxman’ is one of George Harrison’s most identifiable songs, lambasting those pesky politicians for taxing him too hard. As we know, The Beatles stopped touring in the middle of their career, so there’s a wealth of music the boys never played live – so it’s always a thrill to see anything from the late period

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  • IN DEFENCE OF THE NEW RADICALS

    One hit wonders get a lot of hate, thanks in part to being overplayed, and usually, because they’re catchy bubblegum tracks that land in the middle of supposed credible music, for which they’re unfavourably compared. And so, to 1998 and Britpop has moved to one side in favour of Landfill Indie, and Massive Attack emerge

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  • ETHEL CAIN DEMOS

    If you enjoyed the last Ethel Cain record – and you should’ve because it’s great – then you can have a peer behind the curtain of it, with the release of some demos. It’s the demos from ‘Willoughby Tucker, I’ll Always Love You’ and they were released on NYE, but we’ve only just seen them

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  • REVIEWING ALL THE SMITHS ALBUMS

    To say we’re not fans of The Smiths would be something of an understatement. Seeing as fans of the group fail to take the hint and keep proselytising about them, it might be time to see what the actual deal is. Of course, these records have been listened to in the past, but in the

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  • DOECHII + SZA

    Welcome to 2026, and let us start the year with some new music, as tempted as we were to start the new year off with some snark. Let’s be nice before we get to saying anything salty about anyone, right? We kick off with a TDE love-in, as Doechii and SZA team up on an

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  • CHRIS REA / A BIGGER LEGEND THAN HE LET ON

    Chris Rea has sadly left us, and this being the Christmas period, it’s sad that he left as people settled down to his classic yuletide groover, ‘Driving Home For Christmas’. There’ll be a lot of fond words written about the great man, but we’d like to pay tribute by highlighting some of his finest songs,

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STOP HOARDING TUNES


  • TINA TURNER, THE REALEST OF THE REAL

    “Without Tina Turner we have no Beyonce. We have no Rihanna. We have no generation of Black women performers who transgressed all sorts of musical genres and without Tina Turner, we have no reclamation of Black woman’s sexuality in the context of rock and roll.” “Without Tina Turner, we have a new bereft in terms…

  • JULIANA HATFIELD COVERS ELO

    You may know Juliana Hatfield as a solo artist making fun records, you may know her from her stints in The Lemonheads or Blake Babies or Some Girls. You may know her from her tributes to Olivia Newton John and The Police. Well, she’s pay homage again with a really fun cover of ‘Don’t Bring…

  • PLUNDERPHONICS // IT BELONGS TO EVERYONE

    Sampling changed the way people listened to music, where familiar (and often unfamiliar) works could be re-imagined, recycled, spliced, interpolated and chewed up and turned into something all by itself. For years, the musical brain demanded that modernity meant entirely new, but post post-modernism, swathes of people were giddy at the thought of grabbing things…

  • DJ SABRINA THE TEENAGE DJ // LIP BALM, BANGERS, VINYL

    Listen, getting way to obsessive about a new act is the best thing about music, right? You excitedly yell about them to just about anyone who’ll listen and the more disinterested they are, the more fervent you become. That’s what we’re like about DJ Sabrina The Teenage DJ. Why? It’s the music mainly – dreamy,…

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