The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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Hatebeak are a thrash metal band that have a parrot for their lead singer. Of course it randomly entered the ol’ brain putty.
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The High Llamas are ace and it’s lovely to have them back. They’ve got a new song called ‘Toriafan’, which is different enough from the old stuff to make it worth your while, but also containing that High Llamas magic of years past. Sean O’Hagan, who basically is the band, sez: “The song is about
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Brazil has a rich heritage of musical inventiveness, giving the world the languid sophistication of Bossa Nova and the erupting joy of Samba. Of course, through the ‘60s and ‘70s, in the face of a brutal, military dictatorship, Brazilian intellectuals and the youth forged an artistic path through Cinema Novo and now famous Tropicalia music
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Country music has always got a raw deal for being racist hick music, but that’s usually from the worst kind of person who hasn’t listened to a lick of country music in their life. Fact is, it’s a genre as enduring as any other, and as broad a church as you’ll find anywhere. That said,
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Good news power pop fans! We have news that Dent May is releasing a new album called ‘What’s For Breakfast?’. That’s out in March and it should be a total winner based on his previous outings! Sugary sweet melodies, big pianos and choruses – we’ve loved his stuff and ‘Late Checkout’ is a massive favourite!
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Most musicians fall off eventually, don’t they? And so, to Pharrell Williams who was once a prince amongst men, and then starred in a super dodgy Robin Thicke video, did some gigs that were literal fundraisers for the IDF, and now perhaps worst of all, collaborating with Mumford & Sons on a new song called
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There’s no money in writing about music, and that seems to be a sad fact of the present day. In fact, there’s been no money in it for years, which is a shame as music criticism and opinion struggles to gain a foothold in a period where, honestly, most fans are waiting for marquee releases
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Playboi Carti has a new song out called ‘EvilJ0rdan’, on the back of some pretty unsavoury stuff. He appeared with Kanye while he was wearing his Klan hood, on the back of an allegation that he’d choked and assaulted his pregnant girlfriend. The track is below and contains lyrics like “monkey nuts, hold me, baby”
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A website asked, because of her all conquering popularity, if Taylor Swift is a genre all to herself now. No, of course she isn’t. Don’t be ridiculous.
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Akini Jing is making some seriously good future pop and you need to get on it right now. New LP is out called ‘VILLAIN’ and after writing for other acts, they’re now keeping the good stuff for themselves. Cyborg-ish, forward thinking music that’s crucially fun and catchy too. New track, ‘Call Me Shadow’, is flawless stuff,
STOP HOARDING TUNES
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HEAR THE NEW STONES SONG
We, along with everyone else, was right about the Hackney Diamonds thing, in that it was a new LP from the Rolling Stones. That’s the name of the imminent album and there’s a new song we can listen to called ‘Angry’. The song itself? Well, it sounds like The Stones which is exactly what you’re…
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HIT BARGAIN WITH A RIP-SNORTER
Sometimes you need a track that just punches you square in the face and runs away cackling like they’ve done you a favour. Handily enough, the new one from Hit Bargain does exactly that. It’s chaotic and loud and dafter than a bag of lit fireworks. The band are made of members of Pains of…
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GARY WRIGHT, LOVE STILL ALIVE
Gary Wright has sadly left the building. Even if you think you don’t know him, you probably do, and if not, you ought to get to know his music now. Wright had been unwell for a while, but let us focus on what he did and a life well lived. He started off his creative…
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CHEAPSKATE: SHED POP, ALLOTMENT JAZZ, POCKET MASTERPIECES.
We’ve been treated to a preview of new music from the brilliant Cheapskate – someone we first became aware of via the magical ‘Un Film Imaginaire’ cassette, which saw the multi-instrumentalist wandering between spy soundtracks, scratchy jazz and glorious, home-hewn pop. It was fun, it was fragile, it was nimble, it bore repeated listens, and…
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