The Pop Corporation
WORDS ABOUT MUSIC + POP CULTURE
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If you’ve been waiting impatiently for a new album from Weyes Blood, you need to chill your boots. All good things come in their own time. Of course, she featured on a Drugdealer track earlier in the year, but she’s also appearing on a new track from SPELLING. And yes, we kinda feel bad that
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Orville Peck is one of the leading alt-country voices – thankfully, that means his musical choices, rather than simply branding him as ‘alternative’ because he isn’t a heterosexual man – although you’d be forgiven for thinking that’s the case. He’s got a new EP coming out on November 14th called ‘Appaloosa’ and there’s a song
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A lot of punk has a hardcore or pop punk bent at the moment – makes sense given the early Noughties are officially retro and the kids are looking to the past for comfort. Well, it’s nice to see some other genres bleeding into the scene. We look to VIAL, who have put a single
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We wanted to write something about this Whole Thing with Roisin Murphy, but didn’t get much further than “why can’t some people just shut their mouths about other communities, especially ones who loved them so much?” Well, we just watched a very sensitive and well thought out video essay from The Last Mixed Tape, which
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There’s a certain twang in alternative rock that really works the gears of music nerds. You look at Pavement, Television et al, and you find that the discordant guitars aren’t simply playing out of key, but makes you feel a bit smarter. It’s a cunning trick. Well, we got that feeling from the new song
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Hello there. We remembered that listeners of our related radio show – FREE RANGE – might like to read the tracklisting for the show, instead of just listening to the words being pronounced badly throughout it. It’s the last show of the year before the round-up of 2025’s best music, so the last time where
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We’re big fans of NONAME who is someone who absolutely marches to the beat of her own drum, and she’s at it again with a surprise new track! Called ‘Hundred Acres’, it appeared on the algorithm which did its job for once, and as you’d expect, it’s smart as hell, funky, irresistible chorus, and is
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If you’ve heard ‘Dig My Grave’ by Lankum, you’re probably still a but spun out by it (or thunderously turned on if that’s you’re thing) and it’s gothic bedlam. Well, they’re at it again with a little treat for Halloween (and the general state of the world, sadly) with a unique take on ‘Ghost Town’
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Kelly Lee Owens is ace, especially when she’s in dancefloor mode – and she’s shared a new track from the EP ‘KELLY’ which we particularly like. The release of the EP is November 21st, and this new track should get your motor running in the meantime. It goes by the name of ‘132 TECHNO’, and
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A lot of R&B lately, has been so stoned or strung out on Xannies that it’s barely there. That’s fine and all that, but sometimes you want something a big more focused and bigger with the kind of drums that rattle your windows. Thank god then, for keiyaA, who is dropping her ‘hooke’s law’ album
STOP HOARDING TUNES
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639 YEAR PERFORMANCE CHANGES CHORD
As well you know – John Cage is a little bugger. One of his most famous compositions is a silent piece, but another that we’re mildly obsessed by is called ‘As Slow As Possible’ – and that’s because it’s a piece that, on completion, it will have been performed for 639 years. Yesterday, the piece…
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REVIEW / DINA ÖGON / ORION
We’ve talked about our love for Dina Ögon at length before, and now there’s a new LP to talk about, and that’s the salve we needed to kick off 2024’s first new release review. Again, we find the band in groovy, sophisticated form, melting psychedelic soul, Balearic, dream pop, and something so uniquely their own,…
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WE DON’T WANT TO WRITE ABOUT THE GRAMMIES
All the news today is about The Grammies and that’s super boring. Sure, there’s a new song from SZA and Killer Mike got arrested, but that’s not really what we want to write about today. Seeing as there’s no other news, we’re just going to share this video of loads of people having a massive…
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IS PATREON THE FUTURE OF MUSIC?
As the future of being a working musician looks increasingly bleak, collectively we need to work out a way of getting people paid. If we don’t, that means music will only be viable for people who have parents with blue links in their Wikipedia pages and the like. So, with micropayments and subscriptions becoming more…
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